When politics becomes a selfie, who is governing whom?
By Plato
I hear that a caucus of lawmakers, through its institute, now recruits TikTok heralds to escort candidates into the minds of Latino voters, especially the young and the non-college-educated. The device is clever: attach the face of office to the face already loved, and let “authenticity” spread as if by friendship.
Yet this is precisely the danger. When the city trains itself through applause, clapping, and viral approval, the many become the greatest Sophists, tutoring everyone in what to praise and what to despise, and compelling agreement by the gentle force of exclusion and ridicule. @In the present condition of cities, the public—the many—are the greatest Sophists: through assemblies and mass praise/blame they educate everyone, enforce conformity with legal penalties, and overwhelm private instruction; whatever is saved is by the power of God. The influencer is not the cause so much as the new instrument of an old teacher: the crowd.
For the art at work here is imitation. It paints the appearance of wisdom and care, without requiring knowledge of the things it depicts, and it can persuade those who cannot yet judge the craft itself. @Imitative arts represent things as they appear from perspectives, not as they are, and can convincingly depict expertise without knowledge, deceiving the inexperienced. In such a marketplace, the candidate is tempted to govern his image rather than his soul, and the voter is tempted to choose what is pleasant to watch rather than what is good to live.
If these networks are to serve justice, let them first serve truth: disclose payment plainly, reward creators who question candidates rather than pose with them, and measure success not by reach but by understanding. Otherwise we merely decorate the cave with brighter shadows.