Key Arguments

• The disclosure of who somebody is is implicit in both words and deeds, with speech more closely allied to revelation.
• Without speech, action loses its subject; not acting men but performing robots would achieve what would remain incomprehensible.
• Action becomes relevant through the spoken word in which the actor identifies himself.

Source Quotes

If action as beginning corresponds to the fact of birth, if it is the actualization of the human condition of natality, then speech corresponds to the fact of distinctness and is the actualization of the human condition of plurality, that is, of living as a distinct and unique being among equals. Action and speech are so closely related because the primordial and specifically human act must at the same time contain the answer to the question asked of every newcomer: “Who are you?” This disclosure of who somebody is, is implicit in both his words and his deeds; yet obviously the affinity between speech and revelation is much closer than that between action and revelation, just as the affinity between action and beginning is closer than that between speech and beginning, although many, and even most acts, are performed in the manner of speech.

This disclosure of who somebody is, is implicit in both his words and his deeds; yet obviously the affinity between speech and revelation is much closer than that between action and revelation, just as the affinity between action and beginning is closer than that between speech and beginning, although many, and even most acts, are performed in the manner of speech. Without the accompaniment of speech, at any rate, action would not only lose its revelatory character, but, and by the same token, it would lose its subject, as it were; not acting men but performing robots would achieve what, humanly speaking, would remain incomprehensible. Speechless action would no longer be action because there would no longer be an actor, and the actor, the doer of deeds, is possible only if he is at the same time the speaker of words.

Without the accompaniment of speech, at any rate, action would not only lose its revelatory character, but, and by the same token, it would lose its subject, as it were; not acting men but performing robots would achieve what, humanly speaking, would remain incomprehensible. Speechless action would no longer be action because there would no longer be an actor, and the actor, the doer of deeds, is possible only if he is at the same time the speaker of words. The action he begins is humanly disclosed by the word, and though his deed can be perceived in its brute physical appearance without verbal accompaniment, it becomes relevant only through the spoken word in which he identifies himself as the actor, announcing what he does, has done, and intends to do.

Speechless action would no longer be action because there would no longer be an actor, and the actor, the doer of deeds, is possible only if he is at the same time the speaker of words. The action he begins is humanly disclosed by the word, and though his deed can be perceived in its brute physical appearance without verbal accompaniment, it becomes relevant only through the spoken word in which he identifies himself as the actor, announcing what he does, has done, and intends to do. No other human performance requires speech to the same extent as action.

Key Concepts

• the primordial and specifically human act must at the same time contain the answer to the question asked of every newcomer: “Who are you?”
• Without the accompaniment of speech, at any rate, action would not only lose its revelatory character, but, and by the same token, it would lose its subject, as it were; not acting men but performing robots would achieve what, humanly speaking, would remain incomprehensible.
• Speechless action would no longer be action because there would no longer be an actor, and the actor, the doer of deeds, is possible only if he is at the same time the speaker of words.
• The action he begins is humanly disclosed by the word

Context

Section 24; necessity of speech for action’s revelation of the actor’s identity.