In disciplinary systems, the basic unit of spatial organization is not territory or fixed place but ‘rank’: a relational position in a serial grid that allows elements to be interchangeable while individuals are continuously distributed and circulated, exemplified by the transformation of classroom organization into a serial, classificatory ‘learning machine’ based on ranks, rows, and graded positions.
By Michel Foucault, from Discipline and Punish
Key Arguments
- Foucault introduces a fourth principle where elements are defined by their position in a series, making them interchangeable: "4. In discipline, the elements are interchangeable, since each is defined by the place it occupies in a series, and by the gap that separates it from the others."
- He explicitly displaces territory and place in favour of rank: "The unit is, therefore, neither the territory (unit of domination), nor the place (unit of residence), but the rank: the place one occupies in a classification, the point at which a line and a column intersect, the interval in a series of intervals that one may traverse one after the other."
- Discipline is thus defined as an ‘art of rank’ that distributes and circulates bodies in a network of relations, rather than fixing them: "Discipline is an art of rank, a technique for the transformation of arrangements. It individualizes bodies by a location that does not give them a fixed position, but distributes them and circulates them in a network of relations."
- He uses the example of the ‘class’ to illustrate the evolution from older Jesuit military‑joust forms to a homogeneous graded space: initially, classes are binary Roman camps with decuries and mock warfare, linking rivalry with hierarchical rank: "In the Jesuit colleges, one still found an organization that was at once binary and unified; the classes, which might comprise up to two or three hundred pupils, were subdivided into groups of ten; each of these groups, with its ‘decurion’, was placed in a camp, Roman or Carthaginian; each ‘decury’ had its counterpart in the opposing camp." and "It should be observed moreover that this Roman comedy made it possible to link, to the binary exercises of rivalry, a spatial disposition inspired by the legion, with rank, hierarchy, pyramidal supervision."
- Over time, especially after 1762, the strictly disciplinary element (rank) comes to dominate and the class unfolds as a homogeneous serial space: "In any case, the strictly disciplinary element in the ancient fable used by the Jesuit colleges came to dominate the element of joust and mock warfare. Gradually – but especially after 1762 – the educational space unfolds; the class becomes homogeneous, it is no longer made up of individual elements arranged side by side under the master’s eye."
- By the eighteenth century, rank defines the distribution of individuals in education: rows of pupils, corridors, courtyards, and rank positions assigned and reassigned according to performance and behaviour over time: "In the eighteenth century, ‘rank’ begins to define the great form of distribution of individuals in the educational order: rows or ranks of pupils in the class, corridors, courtyards; rank attributed to each pupil at the end of each task and each examination; the rank he obtains from week to week, month to month, year to year; an alignment of age groups, one after another; a succession of subjects taught and questions treated, according to an order of increasing difficulty."
- Each pupil moves through a series of compartments—some ideal (knowledge, ability) and some material (space)—in a perpetual movement of re-ranking: "And, in this ensemble of compulsory alignments, each pupil, according to his age, his performance, his behaviour, occupies sometimes one rank, sometimes another; he moves constantly over a series of compartments – some of these are ‘ideal’ compartments, marking a hierarchy of knowledge or ability, others express the distribution of values or merits in material terms in the space of the college or classroom. It is a perpetual movement in which individuals replace one another in a space marked off by aligned intervals."
- Foucault calls the organization of serial space a ‘great technical mutation’ that makes simultaneous work and supervision possible, creating an ‘economy of the time of apprenticeship’ and turning the classroom into a machine for learning, supervision, hierarchy, and reward: "The organization of a serial space was one of the great technical mutations of elementary education. It made it possible to supersede the traditional system (a pupil working for a few minutes with the master, while the rest of the heterogeneous group remained idle and unattended). By assigning individual places it made possible the supervision of each individual and the simultaneous work of all. It organized a new economy of the time of apprenticeship. It made the educational space function like a learning machine, but also as a machine for supervising, hierarchizing, rewarding."
- Jean-Baptiste de La Salle’s dream of a classroom that spatially encodes distinctions of progress, worth, character, application, cleanliness, and parents’ fortune exemplifies the classificatory use of rank-space: "Jean-Baptiste de La Salle dreamt of a classroom in which the spatial distribution might provide a whole series of distinctions at once: according to the pupils’ progress, worth, character, application, cleanliness and parents’ fortune. Thus, the classroom would form a single great table, with many different entries, under the scrupulously ‘classificatory’ eye of the master:"
Source Quotes
At the emergence of large-scale industry, one finds, beneath the division of the production process, the individualizing fragmentation of labour power; the distributions of the disciplinary space often assured both. 4. In discipline, the elements are interchangeable, since each is defined by the place it occupies in a series, and by the gap that separates it from the others. The unit is, therefore, neither the territory (unit of domination), nor the place (unit of residence), but the rank: the place one occupies in a classification, the point at which a line and a column intersect, the interval in a series of intervals that one may traverse one after the other.
In discipline, the elements are interchangeable, since each is defined by the place it occupies in a series, and by the gap that separates it from the others. The unit is, therefore, neither the territory (unit of domination), nor the place (unit of residence), but the rank: the place one occupies in a classification, the point at which a line and a column intersect, the interval in a series of intervals that one may traverse one after the other. Discipline is an art of rank, a technique for the transformation of arrangements.
The unit is, therefore, neither the territory (unit of domination), nor the place (unit of residence), but the rank: the place one occupies in a classification, the point at which a line and a column intersect, the interval in a series of intervals that one may traverse one after the other. Discipline is an art of rank, a technique for the transformation of arrangements. It individualizes bodies by a location that does not give them a fixed position, but distributes them and circulates them in a network of relations. Take the example of the ‘class’.
Gradually – but especially after 1762 – the educational space unfolds; the class becomes homogeneous, it is no longer made up of individual elements arranged side by side under the master’s eye. In the eighteenth century, ‘rank’ begins to define the great form of distribution of individuals in the educational order: rows or ranks of pupils in the class, corridors, courtyards; rank attributed to each pupil at the end of each task and each examination; the rank he obtains from week to week, month to month, year to year; an alignment of age groups, one after another; a succession of subjects taught and questions treated, according to an order of increasing difficulty. And, in this ensemble of compulsory alignments, each pupil, according to his age, his performance, his behaviour, occupies sometimes one rank, sometimes another; he moves constantly over a series of compartments – some of these are ‘ideal’ compartments, marking a hierarchy of knowledge or ability, others express the distribution of values or merits in material terms in the space of the college or classroom.
It is a perpetual movement in which individuals replace one another in a space marked off by aligned intervals. The organization of a serial space was one of the great technical mutations of elementary education. It made it possible to supersede the traditional system (a pupil working for a few minutes with the master, while the rest of the heterogeneous group remained idle and unattended).
It organized a new economy of the time of apprenticeship. It made the educational space function like a learning machine, but also as a machine for supervising, hierarchizing, rewarding. Jean-Baptiste de La Salle dreamt of a classroom in which the spatial distribution might provide a whole series of distinctions at once: according to the pupils’ progress, worth, character, application, cleanliness and parents’ fortune.
It made the educational space function like a learning machine, but also as a machine for supervising, hierarchizing, rewarding. Jean-Baptiste de La Salle dreamt of a classroom in which the spatial distribution might provide a whole series of distinctions at once: according to the pupils’ progress, worth, character, application, cleanliness and parents’ fortune. Thus, the classroom would form a single great table, with many different entries, under the scrupulously ‘classificatory’ eye of the master: ‘In every class there will be places assigned for all the pupils of all the lessons, so that all those attending the same lesson will always occupy the same place.
Jean-Baptiste de La Salle dreamt of a classroom in which the spatial distribution might provide a whole series of distinctions at once: according to the pupils’ progress, worth, character, application, cleanliness and parents’ fortune. Thus, the classroom would form a single great table, with many different entries, under the scrupulously ‘classificatory’ eye of the master: ‘In every class there will be places assigned for all the pupils of all the lessons, so that all those attending the same lesson will always occupy the same place. Pupils attending the highest lessons will be placed in the benches closest to the wall, followed by the others according to the order of the lessons moving towards the middle of the classroom … Each of the pupils will have his place
Key Concepts
- 4. In discipline, the elements are interchangeable, since each is defined by the place it occupies in a series, and by the gap that separates it from the others.
- The unit is, therefore, neither the territory (unit of domination), nor the place (unit of residence), but the rank: the place one occupies in a classification, the point at which a line and a column intersect, the interval in a series of intervals that one may traverse one after the other.
- Discipline is an art of rank, a technique for the transformation of arrangements. It individualizes bodies by a location that does not give them a fixed position, but distributes them and circulates them in a network of relations.
- In the eighteenth century, ‘rank’ begins to define the great form of distribution of individuals in the educational order: rows or ranks of pupils in the class, corridors, courtyards; rank attributed to each pupil at the end of each task and each examination; the rank he obtains from week to week, month to month, year to year;
- The organization of a serial space was one of the great technical mutations of elementary education.
- It made the educational space function like a learning machine, but also as a machine for supervising, hierarchizing, rewarding.
- Jean-Baptiste de La Salle dreamt of a classroom in which the spatial distribution might provide a whole series of distinctions at once: according to the pupils’ progress, worth, character, application, cleanliness and parents’ fortune.
- Thus, the classroom would form a single great table, with many different entries, under the scrupulously ‘classificatory’ eye of the master:
Context
Final part of 'The art of distributions', in which Foucault conceptualizes 'rank' as the key spatial unit of discipline and illustrates this through the historical transformation of classroom organization and elementary education.